This blog post is for all of you interested in using the C300, but don’t necessarily have a broad video background. These are the little “gotchas” you should be aware of (particularly if you come from DSLRs).
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Five Tips for Making an Interview Subject More Comfortable
When interviewing subjects who have no media training, it’s your job as the director to get the “performance” you need. Here are five tips.
Continue reading Creating a Cool Title Sequence in Final Cut Pro
A video demo of the “director’s cut” title sequence for the fantasy-themed short film we shot.
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Finding and Using Contract Video Editors
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Vimeo and the Parable of the Photo Enforcement Camera
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Gary Vaynerchuck on Storytelling
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Find Those Storytelling Nuggets
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Mind Your P’s and W’s of Storytelling
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Could Final Cut Pro X Be the NLE of the Future?
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How to Legally Use Music in Your Films and Videos
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Jesh de Rox’s “Beloved” Webinar Ignites a Twitter Tempest
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The Music Licensing Chickens Have Come Home to Roost in Wedding and Event Videography
- Will the Real YOU Please Stand Up…and Out!
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seo: Thank you, I have recently been looking for inform...
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Ron Dawson: I absolutely agree with you Jeremy. FYI, the point...
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jeremyw: Good point, but there is a valid difference betwee...
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emilytaylor17: I'm gonna buy one too. Good prices on Amazon. Will...
- Color Grading: Why The 1-Man Crew Needs These Skills - nonlinear post: […] During production, I’m typically respo...
